Most of my work is pretty delicate, leaving a lot of negative space for breathing room, but unless you are face to face with the original piece, it can be difficult to appreciate. Details can get lost pretty easily. So I wanted to break out of my norm a bit and go for something bolder, with stronger shapes and colors that could be seen from afar. Thoughts?
This one didn’t take very long for me to do and I love the gesture of the petals, they’re almost calligraphic at times. In doing this, I also rediscovered how seductive black can be – definitely on my to do list for future patterns. More black.
As you can see, I’ve been playing around with a lot of plant motifs; trying to figure out what it takes to make a good pattern that could possibly translate to textiles. This is a little different than the way I’ve worked and drawn in the past, so I’m just trusting my intuition here. Hope you’re liking the progress… stay tuned for more!
You can fail at what you don’t want, so you might as well take a chance doing what you love.
I forgot to share this one last piece of St. Louis! Cool Stuff Really Cheep is a lovely little boutique full of curated vintage finds and antiques. Around every nook and cranny, there was another treasure to behold.
I was so intrigued by the mosaic piece above; I’ve never really seen anything like it. Timeless and well-crafted, I’m kind of sad I didn’t snag it. Also was obsessed with the bar cart below. I tend to swoon over almost any bar cart I come across, but I found this particular configuration of shapes and lines so uniquely elegant and sleek.
And here is where I received my stunning statement necklace and bracelet set. Absolutely in love! If you’re ever in the 314, be sure to make a pit stop at this place. I’m pretty sure you will find something you can’t live without!
The longer I look at these quilts by Ria Leigh, the more I fall in love with them. Her textile designs are everything I’m loving right now, with a nod to synthetic retro color palettes and a reverence for the tradition of geometric quilt pattern. I don’t think I can put it any more succinctly than she does on her own site:
Her work is situated within a matrilineal succession of makers and is influenced by her research on ancient cultural iconography, esoteric symbolism, pioneer practicality & Bauhaus ideology.
With work this bold and a statement so eloquently drafted, I can only presume that she’s been working on this for a lot longer than the ease of her patterns may suggest.
I bow down to the creators of Pinterest. Never have I ever had such organized imagery inspiration to keep track of all the things that make me look or think twice. As you can imagine, the boards closest to my heart are those related to my craft – art, installation, and illustration. Here is some of my favorite illustrative work found via Pinterest:
For more illustrious inspiration, check out my illustration board on Pinterest!
Not sure where I stumbled upon this work, but I’m sure glad I did. The delicacy, the subtlety, the dots… it just all screams my name.. or rather, whispers. Patti Roberts Pizzuto elegantly layers media to create ethereal compositions, sometimes abstract and other times using familiar symbols of home, sky, earth, and sea. The balance she creates has an ancient quality, almost as if they were mental or psychological maps of times past.