Tag

creativity

Browsing

scarlett hill: wildfire

One of the many things that make my life worthwhile is the chance to connect with talented creative individuals who make the world look, sound, and feel more beautiful. Be it through canvas or song, creative expression is at the core of our humanity. So when I’m able to share my dedication and love for it with another person, there is an instant bond and understanding of spirit. This is what happened with me and Scarlett Hill.

scarlett-hill-album-43ascarlett-hill-album-71aThey just get it. It’s not about a desire for fame or money (although some money would be nice). It’s about forging genuine connections and putting out more good into the world. Perhaps that sounds lofty for people like us – just starting out and trying to make a mark wherever we can – but it’s an aspiration I think we all could be more mindful of in the things we do. I’m honored that they gave me the opportunity to do this photo shoot for their album, Wildfire, coming out August 1st.scarlett-hill-album-15ascarlett-hill-album-7ascarlett-hill-album-36a

scarlett-hill-album-28aCheck out their music video “Whiskey” and follow them on Facebook to stay up to date on their new releases!
scarlett-hill-album-18ascarlett-hill-album-42ascarlett-hill-album-77ascarlett-hill-album-13ascarlett-hill-album-23ascarlett-hill-album-73ascarlett-hill-album-26ascarlett-hill-album-62ascarlett-hill-album-66ascarlett-hill-album-54ascarlett-hill-album-10a

fullness is like a tidal wave

”  You must not fear, hold back, count or be a miser with your thoughts and feelings. It is also true that creation comes from an overflow, so you have to learn to intake, to imbibe, to nourish yourself and not be afraid of fullness. The fullness is like a tidal wave which then carries you, sweeps you into experience and into writing. Permit yourself to flow and overflow, allow for the rise in temperature, all the expansions and intensifications. Something is always born of excess: great art was born of great terrors, great loneliness, great inhibitions, instabilities, and it always balances them. If it seems to you that I move in a world of certitudes, you, par contre, must benefit from the great privilege of youth, which is that you move in a world of mysteries. But both must be ruled by faith.  ”

The Diary of Anais Nin, Vol. 4: 1944-1947
[ via brain pickings ]

pin addiction: illustration

I bow down to the creators of Pinterest. Never have I ever had such organized imagery inspiration to keep track of all the things that make me look or think twice. As you can imagine, the boards closest to my heart are those related to my craft – art, installation, and illustration. Here is some of my favorite illustrative work found via Pinterest:

eats

Wendy Macmaughton Illustration  Abbey Withington Illustration 

Bernadette Pascua Illustration Juriko Kosaka Illustration 

animals

Aurore de La Morinerie Illustration Juriko Kosaka illustration

Vikki Chu cat illustration Amyilsa McCombie illustration

fashion

Sandra Suy fashion illustration

Bernadette Pascua fashion illustration Jessica Durant fashion illustration

plantlife

Emma Block floral Luli Sanchez illustration

Katie Scott floral Vikki Chu floral illustration

For more illustrious inspiration, check out my illustration board on Pinterest!

art is life: the goal of balance

The year of 2013 has been quite a doozie for me. I’ve had three different jobs and teetered back and forth between “my dream is to become a full-fledged professional artist” and “god, I really want to be able to buy this pair of boots”. It’s driven all of my friends and family crazy, I’m sure, but is also completely necessary for me to move forward. Underlying all of the insanity, my ultimate goal (which maybe I’ll see a glimpse of by the end of the year) is to navigate the roads to achieving balance. Balance between being practical and being a risk-taker, balance between being a homebody and a busybody, balance between listening to others and listening to myself. Balance between art and life.

tumblr_muvpq1mgge1rtnqg9o1_1280

Art and life have always been at war with each other within me. It’s always been, choose one or the other. Be great at one or the other. But I’ve never been able to give up on either and so I’ve been struggling, pulling both of them along at once, sometimes equally and sometimes not.

studio daydreams

During my college years, I spent many a night (and morning) toiling away at projects in my various classroom studios. At the time I dreaded it – the lack of sleep, the feeling like I couldn’t possibly have enough time to make something worthy of presenting, the endlessness of it all. Little did I know that not too many years later, it would be a lifestyle I miss.

enviable studio spaces | tide & bloom

the fantastic world of kim keever

The visual universe of Kim Keever is one of mysterious and sometimes foreboding majesty – a new iteration of surrealism. We see his landscapes as a place that is as familiar as it is foreign, seductive enough to draw us in despite any suspicions of potential danger.
Kim Keever landscape | tide & bloom"Forest 68c" by Kim Keever | tide & bloomThese ethereal environments are puzzling. Are they real? Are they manufactured? What is the secret to this hauntingly beautiful visual set up? 

the power of nature

For this week’s Choose Beauty Linkup, I was able to convince my best friend Liz to write an article for Tide & Bloom. I am extremely grateful to have someone like her on my side; she’s been a steady force in my life since high school, always supporting and loving me through all my crazy periods of growth. It’s no surprise to me, or anyone else that knows her, that she turned to therapy as her career path – making it her life’s goal to help others. I’ve been begging her to write something for me because she has too many great things to share and I knew this series would be something right up her alley.

When I began this entry, I did not know exactly what I wanted to say or where it was going to end up. I knew I wanted to focus on the power of nature, as I have been using it as a personal self-care strategy in my life. Christina and I had discussed the idea of me guest-blogging many times before, but I have a lot going on in my life right now having just moved to a new city and began a new career. In the midst of that, she still wanted and believed that I had something to offer in writing a column. I felt many doubts run through my mind… “I can’t do that, I am too busy,” or “Ugh, what do I have to offer to anyone anyway?” The irony of that last statement is that I am a therapist, a mental health counselor who helps people for a living.

the power of nature | tide & bloom

Some may wonder, what is it like to be a therapist, to deal with people’s problems all day? It is true that in my professional life I deal with the entire spectrum of human emotions. I see people at the lowest of their lows, as well as hear about truly horrific events and situations they have experienced. It is crucial that I have ways to protect myself in order to have an escape from all that trauma, hurt, sorrow, abandonment. One of my current rituals is taking time at lunch to step back and be with nature. I work in an office with no windows so by lunch time, I am craving the sunshine and open spaces. I am fortunate to have beautiful outside spaces surrounding me. Although I do not claim to be an outdoorsy person, the research, along with my own experience, shows how powerful communing with nature can be. Within minutes of being outside in the open air, I feel a shift in my being.

creative makers: rachael riedinger of neva opet

I began my Creative Masters interview series in order to feature creative entrepreneurs who are a shining example of manifesting your goals and dreams. However, I quickly realized that there is just as much inspiration to be found in a newcomer – particularly because their decision to pursue passion over practicality is recent and fresh in their minds and hearts. I now present to you a “sister” series that I will call Creative Makers: a showcase of artisans, performers, and business owners who are new to the game and ready to give it their all. 

Within five minutes of meeting Rachael at Thread Count, I knew we would become fast friends. Her infectious laughter and evident love for all things well-made really made me feel like she was a kindred spirit from a previous lifetime. After only meeting me once, she so graciously opened up her home and studio to show me where the leather magic happens. That’s right people – leather. magic! Rachael Riedinger is the creator of Neva Opet, a line of hand-crafted purses and accessories that exemplify a modern take on the marriage between functionality and form. Her gorgeous array of leather and canvas bags were enough to make me swoon, but after getting to know her over iced lattes (made by Rachael herself) and scrumptious pastries, I knew I wouldn’t go home without one of her beautiful creations. Her work is dripping with passion and can be found via Neva Opet’s website, Etsy, and Facebook. Be sure to keep tabs on this one, ladies. I’m sure in a few years you will have wish you had bought one of her bags today!

Neva Opet: leather working tools | tide & bloom

First things first. Describe the personality or type of woman you make your bags for.

I make my bags for myself and for women like me. I like minimal things done in great materials that will last a lifetime. A woman like me is someone who appreciates art, design, and minimalism – likes things a bit more understated. I think shopping habits have taken a change and people want to purchase things that they will keep forever. I’m hoping people won’t treat my bags preciously or baby them because they are meant to live and mature with their owners. The materials I use only get more awesome with age.

That’s a cool way to look at an accessory – like a lifetime companion. So how did you learn to make what you make? Where did the impulse come from?

Well I started sewing when I was 14 years old. My mom gave me a sewing machine for Christmas and I started sewing all the vintage silhouettes and patterns I couldn’t find in stores at the time – like peg leg pants (skinny jeans) or just band patches onto my jackets. It just snowballed from there so I’ve been sewing for 11 years now. I just really enjoy making things and after one really awful job, I decided that I wanted to do something that I love. Even if it pays half as much, I’m still so much happier. In regards to the leather work specifically, I’m entirely self-taught. It took a long time to figure out the ins and outs of leather and I still learn something new every time I work. But because of that, each bag I make is better than the one before it.

Neva Opet: Rachael Riedinger | tide & bloom

Neva Opet: Rachael Riedinger | tide & bloom

Which part of the crafting process do you enjoy most?

Hmm. That’s tough. On one hand, I really love the transformation of materials – seeing the fabric or leather become a finished product. But I also really love it when I see that someone else enjoys the bag as much as I enjoyed making it. It’s just such a gratifying thing to see a stranger say “I love this,” and it makes me want to design more. Otherwise, I’d probably just end up with a bunch of bags in a room. 

a statement on art and self

One of the most agonizing parts of making art is trying to explain your work to other people. A majority of artists would probably agree with me when I say art work is supposed to speak for itself; that’s why we make art work in the first place. If we could have expressed the idea/concept/feeling in words, then we would be writers and poets. Our gesture is our word and our end product is the essay.

But of course, the world just doesn’t work that way. Audiences want to understand what they see using context and background of the creator themselves. Thus the ever-annoying request for the “artist statement” (as if the work itself didn’t state anything already). If you look closely enough, I think all art is merely a reflection or manifestation of the personality of the artist. Sometimes they can cite theories, events, and other matters that informed their original purpose – but in the end, I kind of just don’t even care. I know that sounds pretty terrible to say as a person in the art world, but regardless of how much I learn about the artist or what the work is about, all I really need to know is how the work makes me feel.

Georgia O'Keefe

Artwork is a form of communication that relies heavily on the success of impressing internal change within a viewer. It’s a personal experience informed by subjective opinions and histories. Work that makes you gasp, work that that makes you cringe, and work that makes you love and hate – it all did something noticeable to you and perhaps even only you.

I am pretty uncomfortable and sometimes terrified when people as me what my work is “about”. I wish there were a simple elevator speech I could regurgitate on command. And I wish all my work had a single meaning or perspective, easily understood with a concise goal in mind. But here’s the thing. It just isn’t.

I do my best work when I don’t have a plan. When I am free to act on impulse without worrying about meaning or judgment, the marks flow through my hands readily and I enter a state of pseudo-meditation. I guess you could say I’m “in the zone”. Letting go of the “statement” of my work gives it the room to breathe and find its own visual voice. After a few of these sessions, I can sometimes say that the drawing is complete, but rarely am I ever proud of what I’ve made. The equal amounts of loving and loathing seem to negate each other and they just are what they are.

My work is me. It’s from me, it’s about me. Everything that I am as a person has some sort of influence on what comes out of my hands. My history, my aspirations, my self-imposed handicaps… it’s all there on the paper.